Publisher's Blog

Every day I hear this question. Every day I reply with the same answer: discover your niche and focus all your attention on developing it.

Both fiction and non-fiction are niche worthy. Take Dan Brown, for one outstanding example of niche creation in fiction. His books are designed as mystery-driven thrillers, complete with symbol-ridden secrets to be discovered in historically significant places by interestingly flawed characters. Add to that the controversial religious themes that chip away at the underpinnings of Christianity, and the recipe is rich for argument, lawsuits, and money in the bank account of the author and the publisher. Patricia Cornwell does much the same thing using her expertise in crime forensics to create a long list of chilling murder tales, all gruesome and compelling, with a crime team of brilliant yet tarnished detectives in search of themselves as much as they are in search of the criminals. Need I mention John Grisholm, or Michael Chriton or James Patterson or Ian Fleming, Agatha Christy or P.D. James or Danielle Steele or Mary Higgins Clark as fiction masters of the same niche-creating thinking?

In the non-fiction realm are the Chicken Soup for the Whatever, and the Something or Other for Dummies series which rake in oodles of bucks for the creators, the licensed authors and the publishers. Of course, there are religious gurus, doctors, and spiritual guides galore to go along with all the fitness experts, drug-abuse experts and gossip experts who sell every sort of solution to every kind of problem.

Nichedom is the realm of those who plan ahead as they write taking into account the marketplace they want to create or develop to its fullest. The reward is fame, fortune and a place in the literary or pop culture lineup.

There are four “givens” you must have to be able to search for success.

The first given is that you actually can write. This assumes you understand all the mechanics of good writing, the spelling, punctuation, syntax and grammar of the craft. If you write fiction, you must have a solid grasp on character development, plot and subplot, the ability to write natural-sounding dialog, and a flair for the genre in which you write. If you write non-fiction, you must be an expert in the subject, with a passion for the subject and the goal of sharing the subject in a way that will draw the readers out of the woodwork. And in either case, it assumes you have a great editor who guides you and keeps you in tune with your niche-Muse.

The second given is that you like to talk about your work and yourself. You must give up the notion that you won’t have to get out of the house to promote your books. You must develop the skill of speaking in public and not being embarrassed to talk about yourself in front of others. You need to create a personable author image along with the niche for your books. People will want to meet you. Be an author who likes meeting readers. You’ll sell more books.

The third given is that you never stop promoting your books. Every signing venue, every TV or radio interview, every talk or speech, every article online or in print, every time you seek to promote your books, you have a purpose and a goal in mind. You are willing to start locally, expand to regional, national and global audiences. You have a well-designed, functional website that draws people. You blog. You build a database of customers. You build a database of venues any and everywhere but in a bookstore. You come up with contests, polls, giveaways, and games to bring readers to your cyber-door. If one thing doesn’t work, you come up with another that might. You ignore the “no” and search for the “yes” in everything you do to promote your books. You learn to write press releases so you can spread the word about your events fast and often.

The fourth given is that you make and follow a plan. Your books are designed to revolve around your niche. You design your writing schedule and your promotional schedule so that you are continually creating more stories for the niche and more opportunities for the promotion of the stories. Your calendar is planned a year in advance, so you know when you’ll be writing, when you’ll be planning the promotional calendar and when you’ll be actually out the door implementing the plan itself. You define the work as a job, not as a hobby or an emotional outlet. You have a budget with clear goals, and you spend that budget wisely. You love your work, and if you have to have a day job, you spend the nights working on your books and their promotion. You work overtime, on weekends, and take few holidays. You make your passion truly your life’s work.

If you do all these things, you have a chance. But one thing to remember: no one can replace the author in the process. The author is the engine that pulls the train, the power behind the writing, the face in front of the audience, the goal-oriented person who motivates everyone around him to do their part. No one else will do this for you, so the sooner you take on the job and the responsibility of creating your niche and promoting your books, the sooner you’ll see results.

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When I think about how to inspire the people I work for, meaning my authors, I realize the barriers they see ahead can seem over whelming. The progression of motivation goes from optimistic and motivated to befuddled and fatigued. The period of time it takes for the first description to morph into the second description really depends on many factors, but most of all it depends on an author's understanding of the daily job required to breathe life into a book.

Most often, I see the joy go out the the eyes of authors who thought that somehow the book would sell itself. I see some decide to stop the process of bringing the book to the public because the work is unforgiving and demanding. But, most of all I see the disappointment, and feel it with my authors, when they do not see a way to reinvigorate themselves and their books.

Why? Well, there are three reasons why an author and ultimately the book both lose the energy to go forward.

1) The demands of making a living by other means shortens the time an author can devote to promoting his book and blurs the focus needed to promote a book.

2) The money it takes to keep reaching out, getting the interest of the reading public, even if the author does all the publicity work for himself, eventually runs out. Gas prices, food prices, clothing prices, the cost of living keep rising, and we all cut away things we think are luxuries. Promoting a book can fall easily into the category of luxury item.

3) But, most importantly, the author didn't work out a plan as to how the book would maintain a life. The author didn't start out with an idea of how to keep the book in front of buyers.

"What's the solution?" you ask.

1) Recognize that you must spend a certain amount of time every day working at the promotion of your book. Doing some portion of your marketing plan takes time and energy. Contacting newspapers, websites and sending informational emails is a constant task. Connecting with venues where you can talk about your book, such as libraries, schools, businesses, and organizations is essential as you release your book and afterward to keep it alive. These take time. Just an hour a day helps a lot! Carve it out of your busy schedule, set the time to be the same every day, and keep a log of what you do in that hour. Track your contacts, mailings, etc... this will show you what you're doing and give you a clear idea of what works and what doesn't work.

2) Develop and nurture a customer list. Every person who bought your book potentially will buy another one if you keep them in the know. The successful authors, the ones who actually make their living by selling their books, have extensive contact lists they have built over years. Your publisher has that information if they sell your books from a website store. Ask for a list. Sadly, you can't get a list of buyers from mainstream online stores. But, if people review your book, you can contact them.

3) Invent and re-invent your marketing approach. A simple mailer of one piece of paper with review blurbs, reader comments, your book cover image and a cheery note from the author inviting the recipient to buy the book is a tried and true technique. I respond to these myself when an author I know sends me an alert by mail (not email). I think that's because it's not a bill and it's not really junk mail. If I know the author's work, I am thrilled to get something personally from him or her.

4) WRITE ANOTHER BOOK! Once you have one book, you should write another. Every time you bring out a new book the former titles get a boost. When you make a habit of building your contact list and keeping in touch, people who loved the first book will want to read the second book...and so on.

So, it is time to begin --- or begin again --- to make your book's life long and fruitful.

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Welcome to the Calling All Authors blog which will replace our Calling All Author's website. Why? Primarily, because the website was less effective than we had hoped. Simple as that!

The purpose of this blog is to bring perspective, information and motivational content to writers and authors who are trying to write, publish and market their books in the rapidly changing publishing world.

Myths abound. Misinformation abounds. There are confusing contradictions everywhere. Facts are lost in the constant flow of hype and hyperbole. Where an author's success is most relevant, at his own bottom line, few are truly interested in helping him achieve the best possible financial results for his efforts.

I believe that if you look at the reality, success  comes down to answering one question: Where is most of the book's income staying --- in the  author's bank account  or everyone else's? The distributor, the printer, the bookstore, the publisher come first and last in line is the author. This blog is going to provide you to tools to change that. Everyone in the food chain will take his portion. That is reality. The goal is to see to it that the author gets his fair share.

FAIR share. What is that? Enough to cover publishing costs, marketing costs, and still take some home. The author must become a business person if he is going to get his fair share. So, this blog will address the business of publishing and marketing a book.

Seeing your book as a business is the key to your success. And taking care from the very beginning to create the best, most valuable product  you possibly can is essential. It is astounding to me that so few writers understand the importance of this perspective. They want their books to sell but don't or won't take the necessary steps or commit the necessary resources in time and money to make it happen. Over time, with conscious planning and execution, an author can sell his book to some. The idea is to sell the book to many. This moment is when many authors lose faith. The first glow of publication wears off, and the depression sets in.

Who will encourage them? Who will be there to dispense advice and comfort? Who can they turn to for guidance? Their publisher? Their editor? Their publicist? As a life-long educator and lover of learning, I am offering a helping hand, not only to Nightengale Press authors, but to all authors who are lost in the maze.

It is a tough job being a creative soul in a sea of bean counters. Earning a book's success is an overwhelming task in many ways. So, accepting that as the premise, what the website Calling All Authors tried do, the BLOG Calling All Authors actually will do. There is a lot of information out there, much of it good, much of it not so good. I promise to present balanced information, while encouraging you to take what you will and to leave the rest. Asking questions, finding answers, and deciding what is best for you and your book will be the purpose of this blog. I hope the information that will appear here will be useful, encouraging, motivating and above all, profitable to you.

All my best for your success!

Valerie Connelly,

Publisher, Author, Talk Show Host, Educator

 

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